John’s Dogwood Branch flute

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It’s always encouraging to find and meet other flute makers. Via Internet, I’ve met John Hnath who recently made his first branch flute from dogwood.

I was interested to see it and hear how we found making it.   He has been kind enough to share his thoughts and photos of the flute.

The turquoise at the end of the flute is a great touch.  And the branch looks like it would have a pretty difficult one to work with.  But the end result is beautiful!

Thanks for sharing, John.

John writes,

I like the flute. Since it is a branch flute it has a unique shape and sound.

It is the first closed end flute that I have made (of 48 flutes so far) and when I first finished it I was disappointed that the sound was very weak and of poor quality.So I relegated the flute to the pile of unsatisfactory ones and went on to other projects.

The flute stayed there for over a month until I read on a Yahoo flute-maker group that the direction holes must equal in area the area of the inside bore; and mine did not. So I got the flute out of the reject pile, drilled a couple large direction holes, and what a difference!

Now the flute plays beautifully and has become one of my favorites. Key of Bb.

The flute was made from a gifted dried branch so I have no idea how long it dried but it was thoroughly dried and very hard. Because of the hardness  I did the bore with a high speed electric die grinder and Kutzall carbide cutter – it took about 3 minutes to do the basic bore which I then finished with hand gouges and sandpaper. I glued it with Titebond waterproof wood glue and finished it inside and out with Deft semigloss lacquer.

I showed the finished flute to a friend of mine who recently became interested in NASF flutes and he seemed to have a hard time handing it back to me – it just didn’t seem to want to leave his hands.

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Native Rhythms Festival: Breathing Exercises with Jan Seiden

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Back in November, 2012 I attended the Native Rhythms festival in Melbourne, Fl.  This was the first time attending the festival.

The biggest draw for me was the chance to attend a variety of workshops.  From beading to breathing to playing, I will share the photos here.

The first workshop I attended was Jan Seiden’s on breathing for flute playing.  It was a helpful workshop complete with exercises that we all engaged in to make sure we were breathing fully and accurately to expand our capacity.

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Building a Cajon to accompany the flutes: Earthtone Cajon

Earthtone Cajon should sound great with the Native American flutes

Earthtone Cajon should sound great with the Native American flutes

When I went to Flute Haven, I didn’t know what I would learn or what I should want to learn, but I did know I wanted to learn everything there was to learn. One thing I didn’t know to expect was a greater comfort level with percussive instruments.

At Flute Haven, the belief seemed to be the beat would find you if you don’t first find it. I shall not forget the experience of my flute facilitator group letting me try to keep the beat on the cajon. It had been difficult to focus, even with eyes shut, but it had been an exhilarating few moments as I heard beautiful flute-playing around me. Continue reading

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Flute Haven 2012

A few of the photos from my phone put together with the audio from one evening of some of our jamming.

 

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Rivercane Walk pays tribute to Cherokee Nation

The John C. Campbell Folk School is in a great location for someone who makes and plays Native American style flutes. Brassville, N.C., was at the center of the Cherokee Nation, which included tribes in North Carolina, South Carolina, Tennessee and Georgia.

The Rivercane Walk, along the Little Brasstown Creek, is a tribute to the Cherokee community, Aquohee (“Big Place), that once existed in the area. Just a short distance from the walk was the site for the start of the Trail of Tears, the military removal of the Cherokee in 1838. Approximately 20,000 Cherokees began the forced march, with about 4,000 dying along the way.

Medicine Wheel and Fire Circle surrounded by seven clan poles, on the Rivercane Walk.

A map and guide for the walk can be picked up in the office of the Campbell Folk School. Signage along the walkway also provides information about the history of the area and the Cherokee culture.

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Rudy Lopez leads woodturning class at John C. Campbell Folk School

Rudy Lopez, John C. Campbell Folk School, woodturning

Rudy Lopez, the instructor for the Woodturning class, gives an overview to the week’s activities.

At the John C. Campbell Folk School, in Brassville, N.C., the opening session was only three hours ago. Already everyone has had dinner and has attended the orientation for their chosen workshop. Sessions include blacksmithing, breadmaking, stainglass, photography, quilting, pottery, shoe making, and the class I’m taking – woodturning.

Rudy Lopez is the instructor for woodturning. I met Rudy when he did a woodturning demonstration several months ago at Lance’s Lumber, near Ft. White, Fla. I’d been interested in the intensive training the Campbell Folk Continue reading

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Chickadee Children supervise work on Sandy’s branch flute

Chickadee thinking

It’s been beautiful to work outside.

At 70F, it’s been perfect to begin work on Sandy’s branch flute (more on that in another post).  The most difficult thing is to know whether to pick up my gouge or my camera.

There are several chickadee children Flying chickadee -  flute-perspective.comcoming to the bird feeder which is a flute’s length away from where I am working.  I could get some amazing photos.

But you do know it’s hard to catch the chickadees in flight.  They are either there or not.  You look and there they are. Gone.

But this one time I picked up the camera instead of the gouge and …

 

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